Recording Īfter recording 1994's Chocolate and Cheese in a professional studio, Gene and Dean Ween decided they wanted to return to their early method of recording albums at home. Thorgerson liked the album so much that, although he was only hired to do the cover art, he decided to do the related promo and poster art, including all of the initial print ads associated with The Mollusk, for no extra charge. The cover art for The Mollusk was created by Storm Thorgerson, the graphic designer who designed many of Pink Floyd's album covers, including The Dark Side of the Moon. The Mollusk was the debut album for keyboardist Glenn McClelland, and, with bassist Dave Dreiwitz joining shortly before the album’s release, the band finally evolved into the final five-man incarnation that continues to this day. Though Ween's 1996 album 12 Golden Country Greats was their first record to feature a full-fledged band on each track, the songs were recorded with various Nashville session musicians, so it was viewed by the band as more of a spin-off album, in the vein of The Beach Boys' Christmas Album, than a true follow-up to Chocolate and Cheese. It also notably began their transition from a duo to a more traditional band with the addition of drummer Claude Coleman, allowing Freeman and Melchiondo to experiment with a wider range of musical styles than they could with the drum machine they had used on previous releases. While their earlier albums were almost entirely recorded by Freeman and Melchiondo themselves at their home using a 4-track recorder, Chocolate and Cheese marked the first time the band produced an album in a professional recording studio. Starting with the release of their 1994 album Chocolate and Cheese, Aaron Freeman and Mickey Melchiondo-known by their stage names Gene and Dean Ween, respectively-began to significantly enhance their approach to studio recording.
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